A promise fulfilled! Years in the making - and finally finished

In the garden today - the blossom that became synonymous with sewing her wedding dress is in full bloom this weekend.

I think she may like it

As you may realise, if you have previously read my blog, I had been guddling around making different toiles of pleated skirts for Helen, using plain fabric or checked fabric (but not the real tartan) for a while (a long while!) and Helen hadn’t really liked any of them - or at least wanted to make changes. I had originally wanted to use a pattern but came to realise that modifying a pattern to fit the pleat depth I wanted in the pleated skirt was much more work than working the traditional way of setting out the size of pleats you wanted in the fabric.

So, last week, I bit the bullet. I had just sent another toile which was too big in size 12. I don't have a decent photo of it on Helen. The previous one had been in my view a bit neat in the size 12 - both big 4 patterns.

Simplicity

Too small imo in the 12

I had been looking at modifying the pattern but eventually decided against this. I’ve tried 5 different commercial patterns, I think … Helen told me that she wants all of the skirts, she can’t decide. So I had to decide for her. She brought all the toiles I've ever sent her home with her this weekend. She didn't want to get rid of them for sentimental reasons but I've encouraged her to leave them and say goodbye as they performed their function.

We didn't like a circular skirt with tartan

It was too big, anyway

This one ended up too big - and she didn't like the deep contour waistband

Helen said she really liked just about the first toile I made except it was too long and too big. I had done that on my own without a pattern. A full pleated skirt. See blog post here - from December 2015!

She does wear this skirt and has kept it. I offered to take in and shorten but she decided against that. She's keeping it.

So I decided to make a short full  pleated skirt by just folding the pleats how I wanted and using the proper tartan. Normal 1.25" waistband. Although the tartan was very expensive as we got it specially woven and we had to buy 30 metres to boot, it isn’t doing anything by lying in storage, is it? I said to David that I wanted to make a skirt and if it didn’t work out, so be it - we still had many metres left. I have previously blogged about the tartan's story. Here is one post

I looked at the real tartan. I asked the mill which wove it (Lochcarron of Scotland) what pre-treatment it might require before being cut - answer none but dry clean it later. The tartan has been lying rolled in a bolt for many years and it was off grain as it lay but I think that was due to the storage. I think that some better pressing and steaming might have helped that more than I did.

I took a piece of fabric and folded it in a number of ways to see the effect and gave Helen a choice. In a man’s kilt, the end result is such that you are looking at a recreation of a full pattern repeat over several pleats.  - but this means that the pleats are narrow and numerous. Helen didn’t want her skirt as heavy (and bulky) as that so our pleats are simply folded to get a pleasing effect.

The mill had also said that they use the selvedge for the hem edge and told me how to identify the right from the wrong side - both questions I had asked. On Instagram, I had asked about the hemming treatment and most suggested using the selvedge. So that’s what I did.

This meant of course that the fabric was cut cross grain. The skirt is so short, that not even half the width of the fabric was used. I needed about 3 metres in length.

I asked Helen to resend me her measurements so I would be working to the correct size. These measurements were 3 cms less than she had told me previously - no wonder the last skirt was too big! So 68cms.

The first part went very well. I worked out that I needed 17 pleats to meet Helen’s hip measurement plus a 1 cm ease allowance ( as per Aldrich’s Metric Pattern Cutting) - total 100cms. Last time, I got into difficulty with the zip but didn’t worry too much as that was a toile. Aldrich didn’t give me any help but there was a little help to be had from my other tome by Helen Joseph Armstrong - sadly I misunderstood the instructions. There were a couple of issues - firstly, they didn't specify right or wrong side of fabric, though that may not have mattered - but more significantly, the terminology they used literally changed from one page to the next (and was different from Aldrich’s terminology). I tried a few different lengths. To cut a long story short, when I came to sew the skirt in the round (there was only one seam, left side, where the zip goes), the seam and zip were visible rather than being hidden in the folds of the leading pleat as they should have been.

Pleats laid out for hip size. The other side is very green - very different. Sadly, this skirt is not reversible because of the zip though the next one might be made with the green dominant

Positively, I was now able to work out for myself what was necessary. I had insufficient fabric at one side and too much at the other. I decided to add in a piece of fabric to the short side and this worked okay. I tried to work out if it was okay before cutting the fabric but this proved a lot more difficult than it sounds! A lot of calculation and experimentation. So now there are two seams. Never mind - you can't see them.

Before I put the zip in though, I had to reduce the waist to the correct size. I used Aldrich’s method of snugging the pleat over after it is formed. By this method, the pleat is pretty straight up from the hem to about 5” below the waist, at which point it turns towards the pleat to one side, reducing the distance between them.

I tried a couple of times and then was reasonably happy that I had got the size right. It was a little too big for MIssy, Helen's body double created for her wedding nearly 3 years ago now (waist 66 cms) as I could pinch an inch and I was concerned it could be too big for Helen. Of course there is a difference between a real live human and a model in any case.

Helen was here for the Easter weekend and I had said that I’d have the skirt to a point where she’d try on and I’d adjust if necessary, then add the waistband.  I even had the waistband prepared - cut on the straight of grain.

It was going to be a little difficult or rather time consuming to reduce the pleats further - but YAY! it  wasn’t necessary. The skirt fitted - near enough.

I gave Helen the choice of green or black top stitching - she chose green - and I topstitched each pleat through all layers, except the leading pleat, which was decoratively top stitched.

I then added the waistband, slightly easing in the skirt. I trimmed and graded the internal seam allowances really well. When I had made the waistband, stitching right side of band to right side of skirt, I turned over and secured by stitching in the ditch from the front, using the green thread.

It was looking good!

I wanted to get the skirt finished for Helen going home todyt, so when I had problems trying to put in a buttonhole, I decided to forego that. I have bought a new thing for my machine which is supposed to help with this issue which I assume is due to the thickness and unevenness at the edge of the fabric  but I haven’t used it yet and this wasn’t the time to try!

The skirt is lovely. There are a couple of issues - the leading pleat doesn’t lie nicely so I am going to add some poppets down the edge (I tried hooks and eyes but didn’t like the effect). Secondly, the skirt is up a bit at the back. Helen has a very flat stomach but has more fullness at the rear. Next time I could take that into account. Interestingly, it was something that Lyn, my sewing tutor, brought up when I was looking at patterns for pleated skirts - back and front were the same.

So despite a couple of relatively minor setbacks this last week, I finally have the skirt that Helen requested 10 years ago (at least). This was before I sewed and originally we were going to get a skirt made up.

I enjoyed the process. There is actually very little machine sewing - a lot of careful measuring, hand basting, pressing. I found it therapeutic. It only took a week.

Today, I sewed some poppets along the leading pleat edge to help it lie flatter  and then sewed a label into the skirt. This was one of the ones Helen gave me a while back - I haven’t used them much as they are rather big but it worked fine here.

A top, a bodysuit and a pleated skirt

I've been trying to get some UFOs finished and repairs and alterations done. That's been successful. None are worth posting about, but I feel a sense of contentment, of a job well done. They include hems being let down and sewn up to make the trousers longer, buttons sewn on etc. I told you they were boring.

I had intended to focus on my trouser fitting (oh yes, that!) but I am actively losing weight so I'm going to put off for a bit. I'm delighted to say that (some of) my golf crops fit me again! (Well, they will all do by next month!) That's useful as I was going to rush and try to make some - or at least some skorts. I have a nice pattern. 

It was suggested to me that I should making skorts for a bit in view of my ongoing weight loss for a bit. I agree. I did make up the top shown in this set (skorts, top and jacket - I'd like to make them all) but find it a bit tight, especially at the hips; this older Kwik Sew pattern 3232 clearly had less ease than a lot of the big 4 patterns. It's also a bit short so I'll redo. 

It doesn't look too bad from the front

You can see how tight it is on Madame

On the whole though I prefer a top with sleeves and a collar, a polo shirt,  for golf, at least. I'm going on a girls’ golfing holiday next month. I'm looking forward to it but as I've only played a few holes so far had better get some practice in. Thankfully, my foot appears to be standing up to the strain of rotation on it.

I've cut out a slightly modified pattern for the Nettie body from Closet Case Patterns. I modified by giving my derrière a little more coverage (length) and cutting further up at the front. The original design is like a short and I prefer higher at the front and sides. The stretch in the fabric I'm using is a little less than I'd thought and the bodysuit will likely be a lot more comfortable in half a stone's time! I'll move on with it and hope to use my coverstitcher for the bands.

Yes, I'm using the same fabric as for the KS top

Again, rather too tight in the rear

Easter is quite close now and I'd hoped to have Helen's tartan skirt ready for fitting. Mmm. Not sure about that. I cut out a toile of a different style to see if it's more successful and easier than modifying the last pattern. Hopefully I can send it to her early next week. I need to get the tartan out from storage though to measure the set and see how much I need to vary the pleat placement on the pattern. I have lots of fabric and while I don't want to waste it on an unsuccessful skirt try, it wouldn't be disastrous, and I really need to use the real fabric.

The toile is from a 1991 pattern - Butterick 5712. Helen said she liked it, based on the pattern photos. There is one with two pleats front and back and the other with more. I decided to go with a shorter two pleat version, view B; I shortened by 4". The advantage of this pattern is that the sizes change only at the side seams, where there are no pleats. I found altering the size in the full pleated skirt I made her previously extremely difficult, and it was still not the perfect size. Pleats are quite difficult to adjust for a female waist, as I found out! Because all the adjustment is at the side, I can more closely match Helen’s shape. Assuming she gives me the thumbs up for the overall style, I will actually FINALLY get around to cutting into the fashion fabric - that is the medium weight pure wool tartan that we had to get specially woven. I can do the front and back (which are the same!) and adjust the side seams after she gets here at Easter.

Now, I know that a pattern isn’t needed for a kilt type skirt, like the last toile I made, but I didn’t really like the pattern - and Helen requested all sorts of changes that I didn’t feel up to making. This pattern is simpler. The thing I particularly like is that there is a lot of fabric cut away behind the pleat to reduce bulk - that was certainly an issue with the previous full pleated skirt. It’s important when the wool I’m using, although labelled ‘medium’ is actually pretty heavy for dressmaking. It should be pretty easy to adjust the pleat pattern width to match what I need for my tartan. I think I know how to do that.

I made up a toile and realised that, in deciding to make a size larger than I thought would be needed, to allow for later fine tuning, I’d be likely to put Helen off. It was much too large for Missy. So I unpicked my beautifully put in invisible zip and remade in a smaller size. According to the sizes Helen sent me, this should work although some tweaking for actual hip shape is likely to be necessary.

The pattern specifies a centre zip, but I have used a concealed zip in the toile. I need to think in advance of the type of zip to use as that will affect the waistband. I narrowed this waistband to 1” - the pattern is about 1.5” but otherwise didn’t alter length. Lyn advised against a centre zip. So either the concealed zip used here, or a lapped zip… The waistband is slightly different for these two types.

Many will ask why I've done as much on a toile - it really helps me to see where things might go wrong and when I need to do things and in what order. Helen might end up wearing it as she has with previous toiles. I also hope to be able to use the selvedge at the bottom of the fabric to avoid a bulky hem, so that would mean the pattern would have to be shortened further. Actually, on the toile, that’s the bit I’m finding most difficult. The instructions are fine, I just don’t see how to make up to a high standard and finish the cut fabric - they advise cutting into the seam edges as you make up the hem. If I manage to use the selvedge, that won’t be necessary, though. If I can’t use the selvedge, perhaps a thinner bias facing hem would be a better idea? What do you think?

The key issue is going to be finishing seam edges, which I haven’t done for this toile. I think I’m going to do a simple zigzag edge. Any other thoughts? I also need to consider a lining.

It’s ready to be posted off to Helen. I put it on Missy but had to pull in the waist at the back as Missy is 2” smaller than Helen around the waist. Do you like my new hem clips? I found then very useful when pinning up the 2” hem on the skirt.

Not much else to say at the moment!

Pattern Issues? Or is it me?

I realise that I haven't posted any reviews of my makes on Pattern Review as I used to do, for months now. There are a few reasons for this.

• When I've made something before,  I'm not sure what else there is to say
• If I don't like the result BUT I've altered the pattern substantially so the issues could be mine (though they're certainly not all mine!). On the other hand, most people do need to alter patterns to fit.
• When others review well, and my result isn't good - am I being too negative? I don't want my blog or reviews to be continually negative. However, I have a feeling that some people don’t review negatively when that might be appropriate.

I've had a few patterns with problems recently. I'll mention two

McCall’s M7322 view A - now modified

The first of these was the tank I made for my Blackwood cardigan. At first, I thought it was the changes I made that meant it didn't work.  Could be, of course. What did I do? I ended up cutting the tank two sizes smaller than recommended by the pattern, plus narrowed the back of the pattern (and neck) by a couple of inches. The length is irrelevant. I used McCall’s M7322 view A - sleeveless, scoop neck

This past weekend (it’s a couple of weekends ago now!) I was away for a few days playing bridge.  A friend who was there with me said she never saw me wear any garments I made. She had without realising it!  I was actually wearing a few over the weekend and my friend was astonished - she thought they were lovely and would never have guessed I'd made them. She asked if I'd made any trousers - but of course that's a different story!! Nevertheless, I felt great about that. Then last week, I was presenting our group photography session, and someone commented I looked fabulous! That made me feel better about presenting!!

One of the outfits I wore while away was the above tank and cardigan. The cardigan is fine - no problem. I like it and wouldn't  make any significant changes to a future version, unless I make the other view, the longer cardigan with pockets though that’s a bit unlikely. 

The tank/shell, however, was excessively baggy and boxy - it would be improved a lot with waist shaping for sure but I'm not going to criticise the pattern for that - I prefer waist shaping for my figure but others don't for theirs.  I am going to criticise what must be a HUGE amount of ease - after all,  I am a pear/triangle shape with very large hips and I can easily pinch out several inches at the hip,  despite this being two sizes smaller than recommended. Now,  I've often read of criticism of excess ease when I haven't found that.  I've concluded that I like more ease than others.  After all it's a personal issue. This is excessive.

I've just thought - did I not review the original? I have photos but too late now!! I had a shortage of fabric length and so made the top a bit shorter than I would have liked.

Detail of now coverstitched neckline. Maybe part of my issue is that is shows up the scar from cardiac surgery 18 years ago

I find the scoop neckline too low. Again, I know that's a personal issue but I'm tall and have a longer distance between shoulder and bust line, so it surprises me. I measured the drop after watching a video about recommended drops, and this drop is at the top end (by which I mean, the deepest recommended) - perhaps I just like my necklines higher than most. I would go for the higher neck - view E.

I wore the tank and cardigan and at no time felt comfortable enough to take the cardigan off. Fortunately, the hotel was less hot during the periods I was wearing it and when I was walking outside it was fine.  At one stage, though, I found that my bra was showing because of the position I was in. Not good.

I have read quite a bit about  ‘balance’ in a pattern. I can't say I fully understand it, but I believe it's what makes a pattern lie correctly when made up.  This doesn't and the horizontal lines of my pattern move upwards from back through to front. You’d think this would make the front neck higher, though it doesn’t seem to – unless of course it would be a lot lower otherwise! The upward slope could be due to the need for a FBA. I don’t know, as the top was very loose. It could also be due to the changes I made to the pattern.

The last issue with the tank is certainly down to me.  The neckline doesn't lie nicely, as it falls forward/outward. I used my new coverstitch machine but did it over a full bias binding that had raw edges turned under, so it was quite thick.  I think that I should have altered that by unfolding it as I did with the armholes, which do lie nicely.

Detail of armhole - not easy to see

In conclusion, I don't like this pattern and won't make it up again. So, should I review it on PR? Reading this, do you feel I am missing something? Something I’ve done?

David asked if I could make it again with what I have found, and I explained that I didn’t have the fabric. However, I decided to take in at the side seams around the waist area and take out the coverstitched neckline and redo as mentioned above and see if that makes it wearable. I won’t alter the balance of the top and won’t change the low neck but at least it won’t be baggy and shapeless.

So - I did the alterations I mentioned. I significantly tapered the top in at the sides, more at the waistline, with help from others in my sewing class to determine how much. I serged off the excess on the inside - sadly that meant having to cut off some of the coverstitched hem and armhole. So be it. I tried to stop short of the hem, but it didn’t work, and I had to cut off ¾” back and front and on both sides to ensure it lay smoothly. The top is significantly smaller than it was and fits better.

Front view

Front view

I did take out the coverstitched neckline stitching and redid it with the bias folded out and the excess fabric trimmed away. It lies much better now but I don’t know if it has solved the problem entirely. Sadly, I did that before the alterations at the sides! As a result, I had to fudge the joins - no way was I going to take out again!

Back view

Side view - my hem edges are a bit wonky as a result of redoing.
I guess I should have/could have taken off more at this point.

Today, before publishing this post, I did read some reviews - all said too big, too boxy but were not otherwise too critical.

GBSB Breton top

The second top I’m criticising is the Breton top from the GBSB sewing book ‘From Stitch to Style’

I love this look!!

Part of the issue here is that I didn't have much time and I hoped to enter this top into the #sew50visible challenge as it was modelled by a 50 plus model (shown above) so was eligible. I love stripes,  love long sleeved Breton tops and had bought a suitable fabric in Lucky Fashions, Dewsbury. I had never made anything from any of the three GBSB books I have and had never read any reviews of them and had no time to even think about a toile. Not really the best way to start!

I didn't realise the top was caught up on my trouser buttons

I examined the suggestions for size and chose appropriately, or so I believed. I lengthened the body by 2” and the sleeve by 1”. 

The sleeve has been shortened by 2"; they are a bit loose for me too

I traced the pattern. This was my first time using a magazine or book pattern. I found it a bit tricky to find the pattern in the first place as it wasn't listed on the sheets,  then found the front and back were different colours and I nearly confused with another top on the sheet.  Some of the markings weren't as well marked as I'd like. Anyway, I traced out onto pattern paper and at the same time made the front and the back as full-sized pieces rather than pieces to be cut on the fold as I felt that would make keeping the stripes matching more easily.

The sleeves are cut back by over 2" but are still a bit long for my taste

I checked each piece against the pattern.

I cut out without difficulty. My fabric was much better behaved than I expected based on recent experiences.

I then started to sew up. I found that the pattern marks did not match.  I checked my markings and they were as given in the pattern.  I measured the distances on the pattern, and they did not match.  This was the case with the sleeve notches which I was able to get around.  It was also the case with the side slits - notch to notch was at 9cm on one piece and 10cm on the other. I was able to deal with this with Lyn's help ( I was doing this in Lyn’s Thursday sewing class) but this was trickier as I hadn't made this kind of slit previously.

Lyn commented that she hadn't found patterns from these books very good. I wish I'd asked her first!

I didn't get it finished in class,  as I'd hoped. I really just had the final topstitching around the neckline,  sleeves and hem to do (the slits looked good I thought).

The pattern suggested a straight topstitch and I did that around the neckline to hold down the facings, but it looked awful. I wanted to finish in class so my new coverstitch machine was not an option but clearly would have been better. One issue here is that the facing is stitched at 1.25 inches but it's double that width and all that excess gets trimmed off.  Why?

I sewed the rest of the top together and serged the seams using the class overlocker. I followed the pattern order of construction and the top stitching around the neckline gets done at an early stage. I tried on the top. Hmmm. Not nice. The neckline looked awful, even considering the need for replacement topstitching. Lyn wondered if it had stretched, though I did stay stitch etc. The neckline was/is rather wide for my liking. This led to the sleeve/bodice junction being further down my arm than presumably intended and the sleeves were considerably too long. I had lengthened them by an inch because of my long arms but they were at least 2” too long. I turned up the bottom hem - length dictated by the side vents. The top itself looked big, shapeless and baggy and a bit too short despite lengthening by 2” - not at all like the rather sexy top of the model (though the skirt really added to that view! I love the skirt).

The end of the class had arrived. ‘All’ I had to do was to take out the neckline topstitching, cut off the excess sleeve and turn up the sleeve hem and then topstitch neckline, sleeves and hem. As my coverstitch machine is new, I am not proficient with it as yet, but even so, I could have finished this pretty quickly. I could have made the time even though I was packing to leave for the weekend the next morning. What stopped me? A combination of factors, the main one being I don’t like this top, so I didn’t feel in any hurry to finish simply to enter an IG challenge - after all, I’m critical of the pattern and it doesn’t look good. The other factors were that I’d have to find sufficient thread to thread the coverstitcher probably by winding several bobbins and I’d prefer to test and practice. So, it didn’t get finished.

I did know the finished measurements of this garment and realised there was a fair amount of ease, so should perhaps have sized down at the early stage. I’m not sure how much that would have affected the neckline. I presume the sleeves would have been less long. The pattern notches were certainly incorrect. The body was too short despite lengthening.

I don’t think I’ll make this again and it has put me off further GBSB patterns. I saw that someone else had made the top for the same challenge and seemed very positive about it. So - is it me? Am I choosing the wrong style? The wrong size? Am I too fussy? All of the above?

I will add that it’s not nearly as bad as I first thought, and David quite likes it. I wondered about adding a patch into each side of the neckline, stripes going the opposite way - a kind of gusset - as my bra straps show - and investigated that in the following class. However, I decided against it as I didn’t feel the gusset insert would work - it would look very busy with stripes going in all directions and anything else would require a major deconstruction of the top and I wasn’t going there.

I ran into difficulty coverstitching the bottom hem. The fabric was ploughing.  I realised I needed to adjust the settings and was advised to change the needle from the one that came with the machine (Schmetz ELx705 to the  stretch version of the needle - Schmetz ELx705 SUK CF) so did that. Someone else suggested I might be using cheap thread. I didn’t think it was but could be. I bought some better-quality thread advised by my dealer but colour choice was limited and both he and I thought my original thread was preferable. He didn't think my thread was the best but not the worst either. I decided to send away for some MaxiLock which is certainly much smoother – and that’s what I ended up using.

I wondered about needing  to change the differential feed more to stop the ploughing of the fabric and whether I needed to change the foot pressure - not something I have tried as yet. Or even use some kind of temporary interfacing/wundaweb. Another issue is that the hem was rounded, and I had difficulty guiding the fabric. I’m not sure whether I should consider getting a hem guide. It all adds to the cost of this expensive hobby and would it be a useful addition?

I decided to straighten the hem as it would be easier to follow a stripe for the coverstitching rather than a curve at 1.25” from the hem fold, which I found very difficult. It’s not quite as nice without the gentle curve but I felt it would be easier to handle. It shortens the overall length in the middle by about ½”

My coverstitch has 3 needles and the needles can be used in any position. I read about machine basting hems where the centre of the foot/centre needle would lie and then coverstitching with the wide coverstitch - needles in L and R but not middle, following the line of machine basting. I was able to use my sewing machine’s inbuilt dual feed and achieved a basted line to follow - and of course, which kept the hem in place.

I also cut down the neckline facing to bring it much closer to the finished width.

I then managed to do the wide 2 needle coverstitch around sleeves, hemline and neckline without difficulty.  I had practised first, to check tensions etc. I chose to secure all the ends, though that is not 100% necessary. Then I had to take out the basting stitch.

My bra straps show, sadly

The coverstitch is supposed to cover the cut edge of the hem but because of the way  I did this, after construction, it didn’t. I then had to trim the fabric closer to the coverstitching.

It’s finished!! The neckline is too wide, but I could wear a cream camisole under it. I’m not keen on the style - I don't think Dolman sleeves are for me. I prefer a structured sleeve and shoulder.

Another issue - when I put on for these photos (my daughter was visiting and took them) I couldn't tell what was the back and what was the front of the top!!

Rather belatedly, I read some reviews and found all reviews saying that the top was too short - many had missed out the side slits (which required a 2 and 3/4" ) hem and simply turned by 5/8". I'm very glad  I lengthened by over 2" in the end. The reviews also mentioned narrowing the shoulder length to have the sleeve start at a more favourable position, which would have helped. I didn't see others mention that the markings were incorrect though some mentioned the absence of markings for bustline, waistline etc and the need to 'guess' at a size. Others did not mention too wide a neck so that may be my issue alone.

Handcuffs?

What did I achieve/learn?

I have two finished garments which are wearable even if not the perfect style for me or perfectly stitched.

I went some way along the coverstitching learning curve. I think the coverstitch definitely does give a more polished finish. Next garment I do, I will plan to cover stitch from the start and will cut facings and hems etc the correct width.

I won’t make any further Dolman sleeve tops.

Outstanding queries

Should I go for a hem guide and/or a clear foot for my coverstitch machine?

Thread is very expensive. In the overlocker, because you don’t see the seam, you can get away with a close enough thread – grey is very useful for a lot of colours. With the coverstitch machine, 1, 2 or 3 threads show on top. Is it okay, I wonder, to wind some thread onto bobbins and use that? I looked at various posts and saw that while just this was suggested, someone suggested that the thread should be wound onto the bobbin and then rewound off that bobbin to another bobbin so it lay in the same direction as the other. Is this necessary?

Questions

Should I review either of these garments on PR? I think I'm going to go ahead and review the Breton Top as I don't believe any of my changes were responsible for the problems I met.

Any thoughts on thread?