In the garden today - the blossom that became synonymous with sewing her wedding dress is in full bloom this weekend. |
I think she may like it |
As you may realise, if you have previously read my blog, I
had been guddling around making different toiles of pleated skirts for Helen,
using plain fabric or checked fabric (but not the real tartan) for a while (a long while!) and
Helen hadn’t really liked any of them - or at least wanted to make changes. I
had originally wanted to use a pattern but came to realise that modifying a
pattern to fit the pleat depth I wanted in the pleated skirt was much more work
than working the traditional way of setting out the size of pleats you wanted
in the fabric.
So, last week, I bit
the bullet. I had just sent another toile which was too big in size 12. I don't have a decent photo of it on Helen. The
previous one had been in my view a bit neat in the size 12 - both big 4
patterns.
Simplicity |
Too small imo in the 12 |
We didn't like a circular skirt with tartan |
It was too big, anyway |
This one ended up too big - and she didn't like the deep contour waistband |
Helen said she really
liked just about the first toile I made except it was too long and too big. I
had done that on my own without a pattern. A full pleated skirt. See blog post
here - from December 2015!
She does wear this skirt and has kept it. I offered to take in and shorten but she decided against that. She's keeping it. |
So I decided to make
a short full pleated skirt by just folding the pleats how I wanted and
using the proper tartan. Normal 1.25" waistband. Although the tartan was very expensive as we got it
specially woven and we had to buy 30 metres to boot, it isn’t doing anything by
lying in storage, is it? I said to David that I wanted to make a skirt and if
it didn’t work out, so be it - we still had many metres left. I have previously blogged about the tartan's story. Here is one post
I looked at the real
tartan. I asked the mill which wove it (Lochcarron of Scotland) what pre-treatment it might require
before being cut - answer none but dry clean it later. The tartan has been
lying rolled in a bolt for many years and it was off grain as it lay but I
think that was due to the storage. I think that some better pressing and
steaming might have helped that more than I did.
I took a piece of
fabric and folded it in a number of ways to see the effect and gave Helen a
choice. In a man’s kilt, the end result is such that you are looking at a
recreation of a full pattern repeat over several pleats. - but this means
that the pleats are narrow and numerous. Helen didn’t want her skirt as heavy
(and bulky) as that so our pleats are simply folded to get a pleasing effect.
The mill had also
said that they use the selvedge for the hem edge and told me how to identify
the right from the wrong side - both questions I had asked. On Instagram, I had
asked about the hemming treatment and most suggested using the selvedge. So
that’s what I did.
This meant of course
that the fabric was cut cross grain. The skirt is so short, that not even half
the width of the fabric was used. I needed about 3 metres in length.
I asked Helen to
resend me her measurements so I would be working to the correct size. These
measurements were 3 cms less than she had told me previously - no wonder the
last skirt was too big! So 68cms.
The first part went
very well. I worked out that I needed 17 pleats to meet Helen’s hip measurement
plus a 1 cm ease allowance ( as per Aldrich’s Metric Pattern Cutting) - total
100cms. Last time, I got into difficulty with the zip but didn’t worry too much
as that was a toile. Aldrich didn’t give me any help but there was a little
help to be had from my other tome by Helen Joseph Armstrong - sadly I misunderstood the
instructions. There were a couple of issues - firstly, they didn't specify
right or wrong side of fabric, though that may not have mattered - but more
significantly, the terminology they used literally changed from one page to the
next (and was different from Aldrich’s terminology). I tried a few different
lengths. To cut a long story short, when I came to sew the skirt in the round
(there was only one seam, left side, where the zip goes), the seam and zip were
visible rather than being hidden in the folds of the leading pleat as they
should have been.
Pleats laid out for hip size. The other side is very green - very different. Sadly, this skirt is not reversible because of the zip though the next one might be made with the green dominant |
Positively, I was now
able to work out for myself what was necessary. I had insufficient fabric at
one side and too much at the other. I decided to add in a piece of fabric to
the short side and this worked okay. I tried to work out if it was okay before
cutting the fabric but this proved a lot more difficult than it sounds! A lot
of calculation and experimentation. So now there are two seams. Never mind -
you can't see them.
Before I put the zip
in though, I had to reduce the waist to the correct size. I used Aldrich’s
method of snugging the pleat over after it is formed. By this method, the pleat
is pretty straight up from the hem to about 5” below the waist, at which point
it turns towards the pleat to one side, reducing the distance between them.
I tried a couple of
times and then was reasonably happy that I had got the size right. It was a
little too big for MIssy, Helen's body double created for her wedding nearly 3 years ago now (waist 66 cms) as I could pinch an inch and I was
concerned it could be too big for Helen. Of course there is a difference
between a real live human and a model in any case.
Helen was here for
the Easter weekend and I had said that I’d have the skirt to a point where
she’d try on and I’d adjust if necessary, then add the waistband. I even
had the waistband prepared - cut on the straight of grain.
It was going to be a
little difficult or rather time consuming to reduce the pleats further - but
YAY! it wasn’t necessary. The skirt fitted - near enough.
I gave Helen the
choice of green or black top stitching - she chose green - and I topstitched
each pleat through all layers, except the leading pleat, which was decoratively
top stitched.
I then added the
waistband, slightly easing in the skirt. I trimmed and graded the internal seam
allowances really well. When I had made the waistband, stitching right side of
band to right side of skirt, I turned over and secured by stitching in the
ditch from the front, using the green thread.
It was looking good!
I wanted to get the
skirt finished for Helen going home todyt, so when I had problems trying to put
in a buttonhole, I decided to forego that. I have bought a new thing for my
machine which is supposed to help with this issue which I assume is due to the thickness
and unevenness at the edge of the fabric but I haven’t used it yet and
this wasn’t the time to try!
The skirt is lovely.
There are a couple of issues - the leading pleat doesn’t lie nicely so I am
going to add some poppets down the edge (I tried hooks and eyes but didn’t like
the effect). Secondly, the skirt is up a bit at the back. Helen has a very flat
stomach but has more fullness at the rear. Next time I could take that into
account. Interestingly, it was something that Lyn, my sewing tutor, brought up
when I was looking at patterns for pleated skirts - back and front were the
same.
So despite a couple
of relatively minor setbacks this last week, I finally have the skirt that
Helen requested 10 years ago (at least). This was before I sewed and originally
we were going to get a skirt made up.
I enjoyed the
process. There is actually very little machine sewing - a lot of careful
measuring, hand basting, pressing. I found it therapeutic. It only took a week.
Today, I sewed some poppets along the leading pleat edge to help it lie flatter and then sewed a label into the skirt. This was one of the ones Helen gave me a while back - I haven’t used them much as they are rather big but it worked fine here.
Today, I sewed some poppets along the leading pleat edge to help it lie flatter and then sewed a label into the skirt. This was one of the ones Helen gave me a while back - I haven’t used them much as they are rather big but it worked fine here.
Your skirt is absolutely lovely! I think it's something she will always treasure :)
ReplyDeleteThank you. I think she will. There may be others...
DeleteIt's wonderful Anne. A real credit to you.
ReplyDeleteThank you, Sarah Liz. I enjoyed the process and it's great to have created something that fits and is appreciated.
DeleteHow lovely! You should be really proud of yourself!
ReplyDeleteThank you, Ruth. I am, actually! Not very seasonal - but we're not this hot often!
DeleteYes. I've considered getting a professional digitiser for one of my pieces. The test I'll play around with myself!
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