Between Christmas and
New Year, David and I visited the exhibition ‘Catwalking. Fashion Through
the Lens of Chris Moore’ at Bowes Museum. I missed a visit with my sewing bee
buddies because of my foot but wanted to see it before it ended on 6 January.
I thought David would
be interested in the photographs while I was more interested in the actual
garments on display. He also has photography class homework for the new term
and thought he might complete that between the grounds and photographing the
famous silver swan. His key task was to provide an element of location to his
photos. He thinks he has achieved that.
I bought the book
‘Catwalking’ that is associated with the exhibition - it's a huge book well
worth the price tag.. It's fascinating that this 84 year old man is still
active photographing twice a year in 4 cities. The exhibition, and his book,
catalogue the changes to the catwalk, the fashion show, fashion itself and
particularly attitudes towards photographers etc over 50 years. Not to mention
the change from film to digital. Photographers were banned originally.
The exhibition was a combination of Chris Moore's photographs, displayed n the walls (over 400 of them), loaned designer garments on mannequins, video presentations, posters and there was description of each piece and photo. These were alongside the museums display of textiles.
We were allowed to take photographs of everything except the Alexander McQueen garments as long as we didn't use flash. They said they didn't have copyright for the McQueen garments. It was really quite dark inside the exhibition and I'm not sure how well my photos will come out. These are for record however and I hope that the book will contain some of the iconic images. I focused more on the garments and details of the garments while the photographs are more about the model showing the garment and the experience of the catwalk. The book of course can't recreate the actual seeing (not feeling) of the garments loaned by the designers for the exhibition. It’s interesting, actually, that the reproduction of the photos in the book just doesn’t come up to the quality of the real photographs displayed on the walls
We were allowed to take photographs of everything except the Alexander McQueen garments as long as we didn't use flash. They said they didn't have copyright for the McQueen garments. It was really quite dark inside the exhibition and I'm not sure how well my photos will come out. These are for record however and I hope that the book will contain some of the iconic images. I focused more on the garments and details of the garments while the photographs are more about the model showing the garment and the experience of the catwalk. The book of course can't recreate the actual seeing (not feeling) of the garments loaned by the designers for the exhibition. It’s interesting, actually, that the reproduction of the photos in the book just doesn’t come up to the quality of the real photographs displayed on the walls
I said we couldn't
touch. The museum has put up two pieces of embroidered fabric specifically for
touching as they want to see the effect on the fabric. I thought I had taken photos but I can't find them
Supermodel |
I found a couple of
designers that I really liked - confirmed my previous thoughts - and a couple
that I’d never heard of (Bill Blass, ‘87, New York - well I had heard of him
but that’s about all). I love Chloe by Karl Lagerfield (1973), Giorgio Armani, Chanel by Karl Lagerfield, 80s and 90s, Azzedine Alaia,
Alexander McQueen of course, Margaret Howell, I didn’t enter the
Designin’ December run by Linda of ‘Nice Dress Thanks I Made It’ - however, I
will look through the book and start planning to enter one for next December.
That might give me enough time. I have some beautiful dupion silk that I really
want to use before it reaches school age! I have images of most of the names I have mentioned - and a lot more - but they're not great.
As is always the
case, some of the fashion was horrendous, while some I would have worn. I had
the opportunity to examine the finish up close - and decided it’s not better
than mine in some cases. I have huge issues with fit - but when I saw a pair of
trousers on one of the models on the catwalk (on big screen) I couldn't believe
just how bad the fit was. It was one model only, really - but she should never
have been in those pants if they were such a bad fit. Mine are wonderful in
comparison! I know that garments are made to a particular size and not custom
made for the models - but really! I don’t know if I will be able to reproduce
the image I took.
That back view of the trousers!! |
Apparently this was Prada's 'Ugly Period' evoking 70s uphostery |
The photo looks better than the reality! |
Maybe I should practice my embroidery |
Front view |
It’s clear that Chris Moore was one of the first catwalk photographers - in fact he started before the catwalk existed. I hadn’t heard of him. Photographers from the 60s are better known (eg David Bailey) and the fashion models from that era (Jean Shrimpton, Twiggy) and from the era of the ‘supermodel’ are more recognisable. But he started it.
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